Providing fine art to collectors, museums, corporations, and the trade since 1977.
Specializing in rare 18th - 20th Century Japanese Woodblock Prints
Notes: Signed in black ink with artist red seal; lower right. 'Bokashi style' shading in the sky, trees and water. Painting is attached to an artist board and properly surrounded by museum conservation matting.
A dramatic work, capturing the elegant beauty of the surrounding area of Izu National Park, from Motohakone. A scarce subject matter for the artist; as is other locations within Japan.
Chiura Obata was born in 1885 in Okayama prefecture, Japan. At the age of 14 he went to Tokyo where he studied with Tanryo Murata, Kogyo Terasaki and Goho Hasimoto. In 1903 he moved to San Francisco and while working (1915 - 1927) as an illustrator for the cities Japanese newspapers, The New World and the Japanese American, Obata made on-site sketches of the San Francisco earthquake.
He spent much of the 1920's painting landscapes throughout California and helped establish the East West Art Society in San Francisco in 1921. Obata spent the summer of 1927 on a sketching tour of Yosemite and the Sierra high country producing over 100 new paintings. In 1928 Obata returned to Japan, following his father's death. While there, he supervised the production of 35 colored woodblock prints of California landscapes for his World Landscape Series. They were exhibited at the "Eighty-Seventh Annual Exhibition" at Ueno Park, Tokyo; Lake Basin in the High Sierra won first prize. In 1932 Obata was appointed as an instructor in the Art Department at the University of California, Berkeley. Between 1930 - 1941, One-man exhibitions were held in numerous locations. In April 1942, Obata was interned at the Tanforan detention center where, during his stay, organized an art school with over 650 camp residents as students. In September 1942, he was moved to the Topez Relocation Center, Topez, Utah. Released from Topaz in 1943, he moved with his family to St Louis, finding employment with a commercial art company. In 1945, when the military exclusion ban was lifted, Obata was reinstated as an instructor at U.C. Berkeley. He was promoted to Associate Professor of Art in 1948.
In 1954 he became a naturalized citizen and retired as Professor Emeritus from U.C. Berkeley. From 1955 to 1970 he traveled throughout California giving lectures and demonstrations on Japanese brush painting. In 1965 he received the Order of the Sacred Treasure, 5th Class, Emperor's Award, for promoting good will and cultural understanding between the United States and Japan. He died in 1975, at age 90.
Posthumous exhibitions of Chiura Obata works have been organized at the Oakland Museum, The Smithsonian Institution and most recently at the M.H. de Young Museum in San Francisco, in 2000.